Woah! Good lord, it's a cheeseburger!!!
#265375 by junkmonkey
Sun May 08, 2011 7:49 pm
WOW! That's really all I can say at the moment, only have 1 listen under my belt but that's about to change in a few minutes. I love how it has that Earth-shattering heaviness to it, like being torn to pieces in a black hole, while still having room to express the more melodic bits. SYL had that blast furnace sound (especially with City and Alien) that just tears into you while Deconstruction has that sound like a lumbering dinosaur's about to shit the universe onto you. Simply blown away. This is one of those albums where I looked at the time and said "shit i'm that far into the song already?!?" instead of "ok....so how much is left?..."that I tend to do on particularly longer albums. It was interesting, it still felt long but I was never bored, some parts I didn't "get" right away but that was to be expected, other parts hit it dead on and made me love'em instantly. All I know is this is definitely one for a lot of repeated listens.

Burned the album to a CD and i'm only giving myself 5 playthroughs. Did one a few hours ago and is about to do another. Then after that into the shredder it goes allowing me to get my current fix while keeping the experience still relatively fresh until that pre-order finally arrives :D
#265377 by Fira
Sun May 08, 2011 8:10 pm
Dewy wrote:The end of The Mighty Masturbator is the end of Processional.... mind blown



I noticed that too :) Awesome! :))))
#265378 by CGuitar2112
Sun May 08, 2011 8:12 pm
Ultimetalhead wrote:I think the quality is awesome for it only being 192.


Play it through a set of big headphones or speakers, and you're good to go until the CD copy comes out
#265382 by GhostReverie
Sun May 08, 2011 8:27 pm
marius47 wrote:is mikael akerfedt growling on stand? or is it just my ears trying to make perfection

Yep, you're not imagining it; that's good ol' Mike.

Aniland wrote:I'm having trouble hearing a lot of the guest vocalists. I mean, Sumeria and Pandemic are obvious in where they are, as is the title track, but... I can barely detect the rest of everyone else.


Really? I dunno... I haven't had that problem at all. The Maggot Master's part on the title track is pretty hard to miss, and Ihsahn, Tommy, and Mikael all have fairly distinct screams. As for Paul Kuhr and Greg, I'm not really familiar with their work, but from the changes in the sound of the vocals I could tell when they appeared.
#265389 by IX10N
Sun May 08, 2011 8:38 pm
I think the problem in picking up guest vocalists comes from the fact that Devy has such a diverse voice in the first place. Your guard's not up when it comes to other voices appearing, because he always does so much on his own. Having said that, on my 5th listen (yepp), I'm finding it a lot easier to distinguish between them all.
#265393 by YouFoolWarrenIsDEAD
Sun May 08, 2011 9:05 pm
As much as I want to listen to it now and even though Dev himself has practically given his blessings I still will wait for the official release to listen to it. Hearing a poorer quality recording decoupled from the pageantry of the album art and the ritual of playing a fresh new Devin album does his music a disservice. This is further compounded by the pall of irrelevancy that something acquired for free casts over a work of art. Paying for something imbues it with value and helps sift the quality of the work through the prism of a transaction. If the work is good then one is satisfied that money has been well spent. If the work is poor then one will feel justifiably rankled that they have wasted their money. Without a fiduciary mechanism in which to provide some sort of arbiter then the perceived value (or lack thereof) of the artwork is diminished to the point of irrelevance. Like the music? Don't like it? You're not that perturbed because your investment (literally in this case) is not factored.

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